all il retrobottega di alc
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(via newyorker)

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sciencepopularis:

Oh so true….
Credit: SMBC
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theatlantic:

The QWERTY Effect: How Keyboards Are Changing Our Language

It’s long been thought that how a word sounds — its very phonemes — can be related in some ways to what that word means. But language is no longer solely oral. Much of our word production happens not in our throats and mouths but on our keyboards. Could that process shape a word’s meaning as well?
That’s the contention of an intriguing new paper by linguists Kyle Jasmin and Daniel Casasanto. They argue that because of the QWERTY keyboard’s asymmetrical shape (more letters on the left than the right), words dominated by right-side letters “acquire more positive valences” — that is to say, they become more likable. Their argument is that because its easier for your fingers to find the correct letters for typing right-side dominated words, the words subtly gain favor in your mind.
Read more. [Image: Wikimedia Commons]

theatlantic:

The QWERTY Effect: How Keyboards Are Changing Our Language

It’s long been thought that how a word sounds — its very phonemes — can be related in some ways to what that word means. But language is no longer solely oral. Much of our word production happens not in our throats and mouths but on our keyboards. Could that process shape a word’s meaning as well?

That’s the contention of an intriguing new paper by linguists Kyle Jasmin and Daniel Casasanto. They argue that because of the QWERTY keyboard’s asymmetrical shape (more letters on the left than the right), words dominated by right-side letters “acquire more positive valences” — that is to say, they become more likable. Their argument is that because its easier for your fingers to find the correct letters for typing right-side dominated words, the words subtly gain favor in your mind.

Read more. [Image: Wikimedia Commons]
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scienceisbeauty:

Hyperbolic dodecahedral tiling.
Source: Visual Art, Xaq Pitkow, Brain and Cognitive Sciences, University of Rochester
Quote
«What though the radiance which was once so bright
Be now for ever taken from my sight,
Though nothing can bring back the hour
Of splendour in the grass, of glory in the flower;
We will grieve not, rather find
Strength in what remains behind;
In the primal sympathy
Which having been must ever be;
In the soothing thoughts that spring
Out of human suffering;
In the faith that looks through death,
In years that bring the philosophic mind.»

— William Wordsworth, Ode (from 1815 entitled Ode. Intimations of Immortality from Recollections of Early Childhood)

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fuckyeahmanuscripts:

In mid-July 1837 Darwin started his “B” notebook on Transmutation of Species, and on page 36 wrote “I think” above his first evolutionary tree.

fuckyeahmanuscripts:

In mid-July 1837 Darwin started his “B” notebook on Transmutation of Species, and on page 36 wrote “I think” above his first evolutionary tree.

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Tassonomie propedeutiche

Tassonomie propedeutiche

Tags: taxonomy lego
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Jacques-Fabien Gautier d’Agoty, Observations sur l’Histoire Naturelle, sur la Physique et sur la Peinture (1752-1755), Delaguette, Paris 1752, tome I, 1ère partie, planche n. 1

Jacques-Fabien Gautier d’Agoty, Observations sur l’Histoire Naturelle, sur la Physique et sur la Peinture (1752-1755), Delaguette, Paris 1752, tome I, 1ère partie, planche n. 1

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Ernst Haeckel, Kunstformen der Natur: hundert Illustrationstafeln mit beschreibendem Text, allgemeine Erläuterung und systematischer Übersicht, Verlag des Bibliographischen Instituts, Leipzig & Wien, 1899-1904, Tafel 84 (Diatomea).

Ernst Haeckel, Kunstformen der Natur: hundert Illustrationstafeln mit beschreibendem Text, allgemeine Erläuterung und systematischer Übersicht, Verlag des Bibliographischen Instituts, Leipzig & Wien, 1899-1904, Tafel 84 (Diatomea).

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TRAILER “BELLUSCONE. UNA STORIA SICILIANA” di Franco Maresco (di BELLUSCONEILFILM)